Off the Page Festival welcomes Damian Rogers Thursday, November 3rd, in Concordia’s Grey Nuns Building (1175 Rue St Mathieu), room M100, starting at 7:30pm. Damian Rogers is a social person. “I will talk to someone for hours, no problem. I’m good to talk, as they say,” Rogers recently told Trevor Corkum of 49thshelf.com. The same … Continue reading Damian Rogers is a Social Menace
From the Archive: Francine Prose
Writers Read looks back at hosting prolific author, Francine Prose, in March, 2014, in Concordia’s Henry F. Hall building. Attendees crowded into the Hall conference room for a reading of Prose’s novel, Lovers at the Chameleon Club, Paris 1932 (HarperTorch, 2014), and later, a Q&A session with the Brooklyn native. Lovers is a multivocal series … Continue reading From the Archive: Francine Prose
In with the New Shockley
Off the Page event: November 4th, 7pm, York Amphitheatre, EV 1.605, 1515 Rue St. Catherine Those who know Evie Shockley from her 2006 publication, a half-red sea (Carolina Wren Press, 2006), will know how her lyrical style contains themes of ancestry and racial identity which flow through contexts of modern existential threats. Shockley’s words are … Continue reading In with the New Shockley
Bewitched by Broadbent
Writers Read and Concordia University welcome Lisa Robertson and Laura Broadbent tonight at 7pm, in the York Amphitheatre, EV 1.605, 1515 Rue St. Catherine Readers first shook hands with Laura Broadbent through the pages of her remarkable, and strikingly titled book, Oh There You Are I Can't See You Is It Raining? (Snare Books, 2012). … Continue reading Bewitched by Broadbent
How Poems Work: “The Stricture” by Lisa Robertson
From Lisa Robertson's Magenta Soul Whip. ‘The 69 heads of Messerschmidt cast in lead are not heaven.’ ‘The magnetic cures of Mesmer on the plastic soul are more difficult to characterize.’ ‘The heavens of Flanders are like textile in lustrousness – a bridal textile.’ ‘We see the classic theme of a woman suffering, with pearl- … Continue reading How Poems Work: “The Stricture” by Lisa Robertson
From the Archive: Julie Salverson
Writers Read looks back at hosting Julie Salverson with Peter van Wyck in January, 2012. Upon arriving at the York Theatre, attendees were treated to the cross-genre braiding of Salverson and Van Wyck’s research into Canada’s role in the Manhattan Project – the American project that resulted in the nuclear weaponry and attacks on Japan. … Continue reading From the Archive: Julie Salverson
Writers Read: Concordia university's reading Series 