Writers Read is back in-person! Follow us on Instagram @writersreadconcordia for reminders closer to each event’s date. All can be found at Concordia’s Events calendar.
Thursday, October 20th
Reading and Q&A with Xochitl Gonzalez
10 – 11:15 AM at LB 322.
In honor of Latin-American Heritage Month, the U.S. Consulate in Montreal is sponsoring a talk by The New York Times best-selling author Xochitl Gonzalez. Gonzalez is the author of the novel Olga Dies Dreaming, and a graduate from Iowa’s MFA. Josip Novakovich will hosting the reading, and there will be space for questions from the audience.
New Grub Street: Non-Fiction Panel
12:30 – 2 PM at Floating Box (MB 2.130) in the John Molson Building.
Join us at Concordia for New Grub Street, a Non-Fiction Panel. Panelists Durga Chew-Bose, Perry King, and Taras Grescoe will cover writing on food, sports, and travel, among others, and discuss the intricacies of their careers in non-fiction. There will be a Q&A session moderated by Haley Mlotek.
This event is free and open to the public. Note that capacity is limited to fifty attendants. Registration link: https://forms.gle/Nji6LzhJQs8R25D36
Tuesday, October 25th
Reading and Q&A with Kasia Van Schaik
7 PM at LB 320.
Kasia Van Schaik is the author of the linked story collection, We Have Never Lived on Earth, and the poetry chapbook, Sea Burial Laws According to Country. Her writing has appeared in the LA Review of Books, CBC Books, The Rumpus, Maisonneuve Magazine, Electric Literature, the Best Canadian Poetry Anthology, and elsewhere. A postdoctoral fellow at Concordia University, Kasia is currently working on a book of cultural criticism entitled Women Among Monuments and is also co-editing an essay collection, Shelter in Text, which interrogates the relationship between the physical and textual spaces we inhabit. Kasia lives in Tiohti:áke (Montreal).
“My collection of linked short stories We Have Never Lived On Earth explores the constraints facing young women at the beginning of the 21st century, which include the feminist backlash of the 1990s and early 2000s, and the growing recognition of climate disaster. The main character, Charlotte, arrives in Canada as a young girl in the late 1990s where she must learn to navigate sexuality, friendship, gendered violence—both internalized and externalized—and cultural alienation during these formative years. But the world around her is in trouble as well. Earthquakes, wildfires, disappearing islands and animal species, wounded sea creatures, trash-strewn shores and rising levels of microplastics make up the environments and textures of these stories. With this book, I want to reflect on how our sense of threatened ecological futurity echoes and amplifies the precarious position of being a woman in the world.”
Tuesday, November 8th
How to Make Money (and Ideally Have a Little Fun) Writing for the Screen with Arthur Holden
12 – 1:30 PM at LB 322.
Arthur Holden will briefly talk about the distinction between writing scripts for theatrical release and writing scripts for TV in its various forms: free broadcast, cable networks and online subscription (ie. Netflix).
Focus will be placed on:
– writing animation scripts for kids’ TV
– writing made-for-TV movies
– adapting non-English-language productions for broadcast in dubbed versions.
Holden will touch on working methods, the operative differences between purely creative writing and writing-for-hire, and writing for series TV. Questions are encouraged. There will be an opportunity for students to talk about their own script ideas – or ongoing projects – and to discuss possible strategies for developing and selling those ideas in Montreal and the wider world.